电影讲(🎏)述了上(🎫)世纪(⚓)九十年代的哈萨(🚿)克(🤥)小镇(🎄)，四个少年各(🧢)自的生命之路。扎哈拉斯正在备受父亲的煎熬，后者因曾是(🎤)一个诈骗犯而找(🔶)不到(⌚)工作，为了帮(🤬)助父亲(🏒)，他(📝)不(🍼)得不在玉米加(👒)工厂(💴)打工。巴拉潘有一把好嗓子，能够(🌸)将“万(🥧)福(🙇)玛(🌍)丽亚”唱的(❣)娓娓动听，然而校(🍱)园生活教会他的是(🔴)使用自己的拳头而不是声音。扎哈巴则在流浪在村子里的垃圾堆中，寻(⏹)找可以卖的废金属(🕣)，他与其他三名同龄(🐊)离(😊)家出走的男孩子睡在废弃(🏾)的隧道(🎂)中。阿斯兰正在为医药学(📋)努力(🍵)，然而当他说服自己的女朋友堕胎之后，他(🥉)的人(🍸)格发生了彻底的改(👉)变。　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’(🔦)s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016